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Inside Arts explores issues critical to the field through in-depth features, interviews and member news. 

In this digital landscape accelerated by the pandemic, APAP's quarterly print magazine has been paused. Look for more digital content from Inside Arts in the future.

Inside Arts EXTRA

What We Know, What We Don’t Know… and What We Can Do: The Performing Arts Community Finding Its Way Forward

By Jacqueline Z. Davis

Jackie Davis

For the performing arts community, the fall is time is usually filled with frenetic preparation, anticipation, and hope for the new season. However, we continue to find ourselves in a world turned upside down with shuttered theaters. Faced with a pandemic and an economy that will remain in partial shutdown for months to come, let us use this time to gather up what we know, what we don’t know… and ideas for what we can do.

What we know is that we are still in a crisis of major proportions. In New York, stage lights on Broadway went dark on March 12. We thought that in a matter of weeks artists would be working again on Broadway, off Broadway, and in regional theatres; dancers would be dancing; musicians would be playing again for devoted audiences. Weeks became months as the coronavirus continued to take lives and livelihoods. What we know now is the country won’t be going back to normal any time soon. Read full article.


Bill T. Jones: STAND UP STRONGER

By Alicia Anstead

Bill T. Jones photo by Stephanie Berger

Over the years, I’ve learned that a conversation with the dancer and choreographer Bill T. Jones can go just about anywhere. I called him this month to talk about the state of the performing arts field, and he was game for that. As always, the conversation took many turns, from the mundane (his morning exercise routine, tending the garden, books he’s reading – Don Quixote and essays by Hannah Arendt - watching big splashy historical TV show such as Ertugrul) to the profound (just about everything else we discussed). The following represents a condensed and edited version of our conversation, complete with shared frustrations, adaptations and insights about the field. 

A bit of background: When the nation began to shut down in March due to Covid-19, Jones was busily teching Deep Blue Sea, a work that was to be shown at MASS MoCA in Massachusetts. He was onsite there with 100 people, including the company dancers and leaders from New York Live Arts, where he is artistic director. Because of the virus, they had to pack up and leave suddenly. 

Seven months later, when we spoke by phone, he told me about another work – Curriculum – that he created in April. It was to be mounted a week later under very strict protocols – physical distancing, masks, greatly reduced live audience members who had to be Covid-tested. He was uncertain it would even take place. You’ll see as you read, however, that Jones is no stranger to uncertainty. What surprised me is his commitment to hope. Read full article.

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